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  • Small Antique Art Print Engravings After Anthony Van Dyke circa 1600s
    Small Antique Art Print Engravings After Anthony Van Dyke circa 1600s
    Small Antique Art Print Engravings After Anthony Van Dyke circa 1600s
    Small Antique Art Print Engravings After Anthony Van Dyke circa 1600s
    Small Antique Art Print Engravings After Anthony Van Dyke circa 1600s
    Small Antique Art Print Engravings After Anthony Van Dyke circa 1600s
    After Anthony Van Dyke (1599-1641)

    Small Antique Art Print Engravings After Anthony Van Dyke circa 1600s

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    Small Antique Art Print Engravings After Anthony Van Dyke (1599-1641) circa 1600s.

    Antique 17th Century Engravings After Anthony Van Dyke Of Barbe And Pollenbourg.

    Artist: van Dyck, Anthony (1599 - 1641).

    Title: Cornelius Poelenbourch (Corneille Van Poelenburg), c. 1660 - 1670.

    Medium: Original Engraving Image Size: 9 1/16 in x 6 1/2 in (23 cm x 16.5 cm).

    Signed: Signed in the plate 'Ant. Van Dyck pinxit' in the lower left; also signed 'Petrus de Iode fculpsit' in the lower left.

    Edition: A Mauquoy-Hendrickx State VIII (of VIII), engraved by Pieter de Jode (Antwerp, 1606 - Antwerp, 1674) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641).

    Printed on a fine paper with a partial Arms of Amsterdam watermark (Mauquoy-Hendrickx 218), dating this piece to c. 1660 - 1670.

    This portrait is a Mauquoy-Hendrickx State VIII (of VIII), engraved by Pieter de Jode (Antwerp, 1606 - Antwerp, 1674) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641) as part of his Iconographie series of engraved portraits of famous people at the time.

    The plate has been marked in the lower left of the plate "Ant. Van Dyck pinxit" and "Petrus de Iode fculpsit."

    Also marked "Cum privilegio" in the lower right.

    Beneath the engraved portrait is the inscription: CORNELIVS POELENBOVRCH | HOLLANDVS PICTOR IN MINORIBVS | FIGVRIS HVMANIS.

    Printed on a fine paper with a partial Arms of Amsterdam watermark (Mauquoy-Hendrickx 218), dating this piece to c. 1660 - 1670.

    #2. Artist: van Dyck, Anthony (1599 - 1641)

    Title: Joannes Baptista Barbe (Jean-Baptiste Barbé), c. 1641

    Medium: Original Engraving Image Size: 9 1/2 in x 6 1/4 in (24.1 cm x 15.9 cm)

    Signed: Signed in the plate 'Ant. van Dyck pinxit', in the lower left; also signed "S.a Bolfwert fculp" in the lower left.

    Edition: A Mauquoy-Hendrickx State VI (of VIII) before the Giles Hendrickx edition, engraved by S.a Bolswert (Bolswert, 1586 - Antwerp, 1659) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641).

    This portrait is a Mauquoy-Hendrickx State VI (of VIII) before the Giles Hendrickx edition, engraved by S.a Bolswert (Bolswert 1586 - Antwerp, 1659) in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641) as part of his Iconographie series of engraved portraits of famous people at the time.

    The plate has been marked in the lower left of the plate "Ant. Van Dyck pinxcit," and beneath that "S.a Bolswert fculp" and in the lower right of the plate "Cum privilegio."

    Beneath the engraved portrait is the inscription: JOANNES BAPTISTA BARBE | CALCOGRAPHVS ANTVERPIAE.

    DOCUMENTED AND ILLUSTRATED IN:

    1) Mauquoy-Hendrickx. L'Iconographie d'Antoine Van Dyck: Catalogue Raisonne I. Bruxelles: Bibliotheque Royale Albert I, 1991.

    Listed as catalogue no. 20 on pg. 120.

    2) Mauquoy-Hendrickx. L'Iconographie d'Antoine Van Dyck: Catalogue Raisonne II. Bruxelles: Bibliotheque Royale Albert I, 1991.

    Illustrated as catalogue no. 20 on pg. 19.

    3) Mauquoy-Hendrickx. L'Iconographie d'Antoine Van Dyck: Catalogue Raisonne I. Bruxelles: Bibliotheque Royale Albert I, 1991.

    Listed as catalogue no. 35 on pg. 129.

    4) Mauquoy-Hendrickx. L'Iconographie d'Antoine Van Dyck: Catalogue Raisonne II. Bruxelles: Bibliotheque Royale Albert I, 1991.

    Illustrated as catalogue no. 35 on pg. 27.

    Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age.

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